Sat. 15 June - Sat. 10 August 20192019年6月15日 - 2019年8月10日

Fuzz久门刚史 | Fuzz

Tsuyoshi Hisakado久门刚史
久门刚史,Fuzz,2015,老旧落地灯,声音,灯泡,电脑,黄铜,笔记本,钟表等,尺寸可变
Tsuyoshi Hisakado, Fuzz, 2015, old stand light, sound, light bulb, computer, brass, notebook, watch, etc., size variable
上海大田秀则画廊荣幸地呈献日本艺术家久门刚史(1981年生于京都)的个展"Fuzz"。久门将于此次呈现与展览同名的大型装置作品"Fuzz"与其"渐变"系列纸上作品。

久门刚史的灵感来自于探索日常现象与场所拥有的独特性、美感与长久的影响力。他创作的作品通常位于独特的建筑或历史地标之中,汇集了当地所拥有的历史与记忆。

"Fuzz"是久门为日本兵库县六甲山而构想的场域特定装置作品,作品主体由台灯堆叠而成,上方的宽度逐渐收窄,与山脉的结构所相似。这些台灯来源于当地2007年结束营业的六甲山东方酒店。当风声在画廊内急速旋转穿行时,所有台灯跟随风的动势强烈闪烁。风声为久门于六甲山山顶所录,在录音当天,他经历了其称为"自然之怒"的强风。由于六甲山东方酒店是通过切割山体而建造,因此这样的强风被认为可能是自然对侵入式发展的回复。

与台灯相邻的是一座有着树枝外观的小型雕塑,树枝状的指针不受灯光与声音的影响而持续转动,在这种并列呈现下,久门意在反映出人造物体与自然力间的关系。

除此之外,久门展示了一系列纸上作品。远看之下,只是由单色块构成的作品将在观察距离缩短后给予观者惊喜。"渐变"系列装置着移动的秒针,秒针顶部为一片纤小的凸面镜。透过镜片,观者将清楚看到镜下每个高0.4毫米、宽0.25毫米的微型数字。在指针的绕行过程中,观者将串联起数字的线索,意识到它们所拼成的为圆周率,π。

与其相似,"渐变#4"系列中隐藏着的白线由π序列组成,呈螺旋状盘旋布满整张画面。随着久门对纸张进行分割、移动或燃烧,扭曲了π的连续性,在永恒的空间中引发微妙变化。时间与空间,在这些作品中同时崩溃和延续,通过简单的视觉构成揭示诗性。

通过运用物体、声音、光线与简单的视觉构成,久门刚史希望观者在当今繁乱的社会环境中亦可探索美与永恒。
Ota Fine Arts Shanghai is delighted to present "Fuzz", a solo exhibition by Japanese artist, Tsuyoshi Hisakado (Kyoto, 1981). Hisakado will present his large-scale installation of the same name alongside his "Crossfades" series of works on paper.

Tsuyoshi Hisakado is inspired to discover the uniqueness, beauty and the enduring effects of everyday phenomena and places. He creates works that are situated in characteristic buildings and historical landmarks, collecting histories and memories that each location possess.

"Fuzz" was conceived as a site-specific installation for the Rokko Mountain in Kobe City, Japan. Light stands are heaped up in a stack that gradually narrows towards the top, resembling the shape of a mountain. These lamps were used in the Rokko Oriental Hotel that closed down in 2007. As the sound of wind rushes and swirls through the gallery, these lamps flash intensely to the dynamic momentum of wind. Hisakado recorded this sound on the peak of Rokko Mountain. On the day of recording, he experienced gale winds that he allegorized as the wrath of nature. The Rokko Oriental Hotel was built by cutting through the mountain hence it is perhaps nature's response to the intrusive effects of development.

In close proximity to the lamps is a small sculpture bearing semblance to the branch of a tree. The branch is attached to clock hands that move independently of the sound and lights in the background. With such juxtapositions in motion, Hisakado reflects on the relationship between the man-made object and natural forces.

Alongside, Hisakado showcases a series of works on paper. Appearing as blocks of monochrome from afar, the viewer is surprised as they move closer. "Crossfades" feature a moving second hand, on top of which there is a tiny loupe. Looking into the loupe, one would see miniature numbers each accurately sized at 0.4mm in height and 0.25mm in width. As the second hand moves, one begins to realize the connection, the numbers spell out the ratio of a circle's circumference, commonly denoted as π.

Similarly, the ink lines on the "Crossfades #4" series are composed of the π sequence, extended across the sheet in a continuous spiral. As Hisakado splits, moves and burns the paper, the continuity of π is distorted, invoking subtle shifts in the space of eternity. Time and space, simultaneously collapse and continue in these works, revealing poetic sensibilities through simple visual composition.

With the use of common objects, sound, light and simple visual composition, Tsuyoshi Hisakado hopes that viewers will discover beauty and eternity in today's chaotic social environment.

展览详情Exhibition Information

展览名称 : Fuzz

展期 : 2019年6月15日 - 8月10日 (开幕酒会[艺术家出席]:星期六,2019年6月15日,下午4-7时)

地址 : 上海大田秀则画廊
Title : Fuzz

Exhibition Period : Sat. 15 June - Sat. 10 August 2019 (Opening Reception in the presence of the artist: Sat, 15 June from 4 to 7 pm )

Venue : OTA FINE ARTS Shanghai

出展艺术家Artists