半田 真規Masanori Handa半田真规

Masanori Handa

Masanori Handa

半田 真規 onjiki ni kaete 2017年 紙に水彩、オイルパステル 108 x 108 cmMasanori Handa onjiki ni kaete 2017 Watercolour, oil pastel on paper 108 x 108 cmMasanori Handa onjiki ni kaete 2017 Watercolour, oil pastel on paper 108 x 108 cm
半田真規は、出会った風景や物事を契機として、そこに自らの感覚を開き、時に支離滅裂で流動的な世界をインスタレーションや大型彫刻として作品化する。

半田真規は、1979 年神奈川県生まれ。2003 年に東京藝術大学美術学部を卒業。主な個展に「トーキョーパレス」Statements、東京(2017年)、「なかきよの円卓景」オオタファインアーツ、東京(2015年)、「変成態―リアルな現代の物質性」αMプロジェクト2009企画、東京(2010年)。近年の展覧会に「瀬戸内国際芸術祭2019」犬島、岡山(2019年)、「TWO STICKS」The Museum of Architecture、ヴロツワフ、ポーランド(2015年)、「世界制作の方法」国立国際美術館、大阪(2011年)、「夏への扉--マイクロポップの時代」水戸芸術館、茨城(2007年)、「越後妻有トリエンナーレ」新潟(2006年)。主な収蔵先に東京都現代美術館、国際交流基金、高橋コレクションなど。2008年より「Rolex Mentor and Protégé Arts Initiative」に参加。2010 年から 2012 年には文化庁の助成を受けヨーロッパでのフィールドワークにより作品を制作。
Masanori Handa's world is one of playful, impressionistic, yet nonetheless contemplative experimentation. Fleeting encounters and occurences often give vital momentum to his practice. Sites, scenery, and urban phenomena are the loci at which incidents are recorded and vividly remembered by Handa. His unique approach results in a variety of large installations and sculpture.

At his first solo exhibition in Ota Fine Arts Tokyo, he reconfigured "150 hedron", a particular Islamic symbol. The structure was constructed with brass and glass, 3 metres in height and coloured by buttermilk and coal tar. This paint mixture became cracked as time passed by, and came to litter the floor, dappling it like snowflakes. In addition, he set up "Golden Cloud" made of brass and a cracked signboard with directions to an absurd and fictitious mosque formed by objects from strange, different origins. Handa wished to express the magnificence of daily religious activities in Islamic cities around the world as something that could not be fully explained or understood.

At Ota Fine Arts Singapore, Handa staged an immense, yet intricate, site-specific installation titled "nakakiyo no entakukei" put together with an assortment of trailing vines, timber, cement, canvas, foam and fabric. The enormity of the work was breathtaking, and inspired by the atmosphere, climate, psychogeography and cross-cultural dialogue.

Born in Kanagawa, Japan in 1979, Masanori Handa completed a BA in Fine Arts at the Tokyo University of the Arts, where he continues to work today. His works have previously been shown at the Echigo-Tsumari Art Triennale (2006). In 2009, Handa was selected to be a part of the prestigious "Rolex Art Initiative Mentor and Protégé" program in Berlin where he was mentored by Rebecca Horn, an accomplished German installation artist and film director. Subsequently, he participated in notable group exhibitions, workshops and site-specific projects at the National Museum of Art, Osaka (2011), the Hara Museum, Tokyo (2009), the Edoardo Chiossone Museum, Genoa (2009) and the TATE Modern, London (2009).
艺术家以自身所见之风景及事物作为创作契机,并开启自身的感官,时而将支离破碎具流动性的世界幻化成大型雕塑或装置艺术作品。

半田真规,1979年生于日本神奈川县。2003年毕业于东京艺术大学美术学院。主要个展包括,“东京宫殿”Statements,东京(2017)、“长夜圆桌景”大田秀则画廊,东京(2015)、“变成态—真切的现代物质性”,αM Project 2009企画,东京(2010)。参加群展包括,“瀬戸内海国际芸术祭2019”犬岛,冈山(2019)、“TWO STICKS”The Museum of Architecture、布雷斯劳,波兰(2015)、“制作世界的方法”国立国际美术馆,大坂(2011)、“通往夏天的门—小写pop的时代”水戸艺术馆,茨城(2007)、“越后妻有三年展”,新潟(2006)。其作品主要收藏于东京都现代美术馆、国际交流基金、高桥收藏(Takahashi collection)等。自2008年起参加「Rolex Mentor and Protégé Arts Initiative」。2010年起至2012年,受文化部补助前往欧洲进行田野调查以及在地创作。