简历

芮娜‧芭内姬(Rina Banerjee) 是后殖民族裔离散议题最重要的艺术家之一,她的作品错综复杂、令人着迷。芭内姬成长于印度混合文化的社区加尔各答,现今以纽约为据点活跃于艺术界。其具多面性的作品反映出宛如艺术家自身般地刚柔兼并、东西融合。无论是雕刻或是绘画,芭内姬透过拼贴的技法,使相异世界共存于同一画面中,恰当地呈现出城市生活体验的密度感。芭内姬于雕刻创作时所使用的各式媒材,尽管是在传统市场中容易找到的物件,却都是艺术家根据产地而有意选择。艺术家运用羽毛、织品、树脂制动物角、珠子、雨伞等各种物件以探索人类学、民族志学、神话,甚至是印度侨民问题。芭内姬将现成的媒材分解,藉由手作重塑,将它们重构成对其所属的都市、后殖民、移民社会的精妙隐喻。

芮娜‧芭内姬(Rina Banerjee),1963年出生于印度加尔各答,于耶鲁大学艺术学院取得MFA学位,现居纽约。重要展览包括,“Rina Banerjee: Make Me a Summary of the World”Pennsylvania Academy of the Fine Arts,费城(2019)、“釜山双年展”F1963 (KISWIRE Suyeong Factory),釜山(2016)、“Greater New York”MoMA PS1,纽约(2015・2005)、“第55届威尼斯双年展”,威尼斯(2013)、“第7届亚太三年展”Gallery of Modern Art and Queensland Art Gallery,布里斯本(2012)、“横滨三年展2011 - Our Magic Hour”、BankART 1929,横浜(2011) 、“惠特尼双年展”Whitney Museum of American Art,纽约(2000)等。美术馆收藏包括,Centre Georges Pompidou(巴黎)、Fondation Louis Vuitton pour l'Art Contemporain(巴黎)、Whitney Museum of American Art(纽约)。

作品
  • Rina Banerjee, Split in parts her right, her left and this other back bent wide side had to stamp away fast than last apart from that she clamored around sounds of reach -purple and inky blinking clenched her pelvis twice, teased, raptured by chase above a green rising , 2013
    Rina Banerjee
    Split in parts her right, her left and this other back bent wide side had to stamp away fast than last apart from that she clamored around sounds of reach -purple and inky blinking clenched her pelvis twice, teased, raptured by chase above a green rising , 2013
    Acrylic, ink, water color paper
    61.0 x 45.5 cm
  • Rina Banerjee, Groundlessness made them different caught them out in the open, boundless and against instinctual suspicion they knew now of unequalness like twine this arrested, dropped some disguise, allusions moistened reversed her garden of alienation, 2013
    Rina Banerjee
    Groundlessness made them different caught them out in the open, boundless and against instinctual suspicion they knew now of unequalness like twine this arrested, dropped some disguise, allusions moistened reversed her garden of alienation, 2013
    Acrylic, ink, water color paper
    101.7 x 151.8 cm
  • Rina Banerjee, Ground had risen to sprout new plant, uttered first spoken its difference from black black soil toward a white tight sky, a colored sapling winged but bashful gifted a diversity with one sharp bite of chromosomes monstrous as it devoured what it is in air, 2013
    Rina Banerjee
    Ground had risen to sprout new plant, uttered first spoken its difference from black black soil toward a white tight sky, a colored sapling winged but bashful gifted a diversity with one sharp bite of chromosomes monstrous as it devoured what it is in air, 2013
    Feathers, glass beads, glass vials, steel, wire, acrylic horn, ceramic ball and horn
    90 (H) x 45(W) x 60 (L) cm
  • Rina Banerjee, World Lost, 2013
    Rina Banerjee
    World Lost, 2013
    Resin horns, cotton thread, light bulbs, wire net, sand, fake fur, steel scale, shells
    214 x 152.5 x 305 cm
  • Rina Banerjee, A life that is never tasted when girls is at home are arrested. Gold ties, tighten, play her a fool time, time and time and so it can be imagined chocolate drips from tomato clouds will finally lossen and I will stick, sticky in love with freedom as this , 2012
    Rina Banerjee
    A life that is never tasted when girls is at home are arrested. Gold ties, tighten, play her a fool time, time and time and so it can be imagined chocolate drips from tomato clouds will finally lossen and I will stick, sticky in love with freedom as this , 2012
    Acrylic, ink, 23k gold leaf on paper
    55.9 x 38.1 cm
  • Rina Banerjee, A heart of two anchors, take one bird and take one butcher, from ear to ear, it's a familiar end yet she was with a wide grin, while meat and medicine poured, even played with the poverty of country, was still an unknown friend! So she withdrew her smile , 2011
    Rina Banerjee
    A heart of two anchors, take one bird and take one butcher, from ear to ear, it's a familiar end yet she was with a wide grin, while meat and medicine poured, even played with the poverty of country, was still an unknown friend! So she withdrew her smile , 2011
    Mosquito net, fish bone, umbrella, artificial horn and pigeon, feathers
    231 x 109 x 96.5 cm
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