Biography

One of the foremost artists of the post-colonial diaspora, Rina Banerjee's work is intricate and enchanting. Having grown up in mixed cultural communities as far apart as Kolkata and New York City, Banerjee's multi-faceted creations fuse the boundaries between East and West. There is a thoughtful sensitivity in the multiple materials that Banerjee uses in her work. Be it sculpture or painting, through the technique of collage, Banerjee is able to appropriately represent the density of the urban experience by suggesting disparate phenomena to coexist within the same framework. Though easily found in street markets, each of the objects used in her sculptures are selected with awareness of their origins. She uses items as varied as feathers, textiles, epoxy horns, beads and umbrellas to explore the material manifestations of anthropology, ethnography, mythologies and the Indian diaspora. Banerjee first dismantles and then "reclaims" their readymade status into the hand-made, reconstructing them into exquisite metaphors for the urban, post-colonial, expatriated community of which she is a part.

[Rina Banerjee] (b.1963, India) is currently based in New York City, USA. She completed her MFA in painting at Yale University School of Art, where she won several prestigious awards. Her recent solo exhibitions were held in many museums in USA, including Frist Art Museum (Nashville, 2021), Fowler Museum at UCLA (Los Angels, 2020), San Jose Museum of Art (Sun Jose, 2019), Pennsylvania Academy of the Fine Arts (Philadelphia, 2018-19). She participated in numerous international exhibitions, such as Venice Biennial, Italy (2017, 2013), Busan Biennale, South Korea (2016), “Greater New York” at the MoMA PS1, USA (2015, 2005), the 7th Asia Pacific Triennale of Contemporary Art Australia (2012), Yokohama Triennale, Japan (2011) and the Whitney Biennial, USA (2000). Her works are held in the collections of museums worldwide, including the Centre Georges Pompidou (Paris, France) Foundation Louis Vuitton pour l’Art Contemporain (Paris, France) Whitney Museum of American Art (New York, USA).

Works
  • Rina Banerjee, Split in parts her right, her left and this other back bent wide side had to stamp away fast than last apart from that she clamored around sounds of reach -purple and inky blinking clenched her pelvis twice, teased, raptured by chase above a green rising , 2013
    Rina Banerjee
    Split in parts her right, her left and this other back bent wide side had to stamp away fast than last apart from that she clamored around sounds of reach -purple and inky blinking clenched her pelvis twice, teased, raptured by chase above a green rising , 2013
    Acrylic, ink, water color paper
    61.0 x 45.5 cm
  • Rina Banerjee, Groundlessness made them different caught them out in the open, boundless and against instinctual suspicion they knew now of unequalness like twine this arrested, dropped some disguise, allusions moistened reversed her garden of alienation, 2013
    Rina Banerjee
    Groundlessness made them different caught them out in the open, boundless and against instinctual suspicion they knew now of unequalness like twine this arrested, dropped some disguise, allusions moistened reversed her garden of alienation, 2013
    Acrylic, ink, water color paper
    101.7 x 151.8 cm
  • Rina Banerjee, Ground had risen to sprout new plant, uttered first spoken its difference from black black soil toward a white tight sky, a colored sapling winged but bashful gifted a diversity with one sharp bite of chromosomes monstrous as it devoured what it is in air, 2013
    Rina Banerjee
    Ground had risen to sprout new plant, uttered first spoken its difference from black black soil toward a white tight sky, a colored sapling winged but bashful gifted a diversity with one sharp bite of chromosomes monstrous as it devoured what it is in air, 2013
    Feathers, glass beads, glass vials, steel, wire, acrylic horn, ceramic ball and horn
    90 (H) x 45(W) x 60 (L) cm
  • Rina Banerjee, World Lost, 2013
    Rina Banerjee
    World Lost, 2013
    Resin horns, cotton thread, light bulbs, wire net, sand, fake fur, steel scale, shells
    214 x 152.5 x 305 cm
  • Rina Banerjee, A life that is never tasted when girls is at home are arrested. Gold ties, tighten, play her a fool time, time and time and so it can be imagined chocolate drips from tomato clouds will finally lossen and I will stick, sticky in love with freedom as this , 2012
    Rina Banerjee
    A life that is never tasted when girls is at home are arrested. Gold ties, tighten, play her a fool time, time and time and so it can be imagined chocolate drips from tomato clouds will finally lossen and I will stick, sticky in love with freedom as this , 2012
    Acrylic, ink, 23k gold leaf on paper
    55.9 x 38.1 cm
  • Rina Banerjee, A heart of two anchors, take one bird and take one butcher, from ear to ear, it's a familiar end yet she was with a wide grin, while meat and medicine poured, even played with the poverty of country, was still an unknown friend! So she withdrew her smile , 2011
    Rina Banerjee
    A heart of two anchors, take one bird and take one butcher, from ear to ear, it's a familiar end yet she was with a wide grin, while meat and medicine poured, even played with the poverty of country, was still an unknown friend! So she withdrew her smile , 2011
    Mosquito net, fish bone, umbrella, artificial horn and pigeon, feathers
    231 x 109 x 96.5 cm
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