Tsuyoshi Hisakado explores perception through subtle deviations within structured systems. Working with minimal interventions in form and material, he creates works that gently disrupt the viewer’s sense of alignment and spatial recognition.
In this body of work, wooden frames with transparent surfaces are subtly altered—circles are cut and tilted, edges are displaced, and structures are slightly misaligned. These small shifts introduce a quiet instability, prompting viewers to reconsider how they perceive space and form.
By working within familiar frameworks and introducing precise deviations, Hisakado suggests that perception is not fixed, but continuously shaped through observation and perspective.