Tsuyoshi Hisakado: Resume

14 Aug - 25 Sep 2021
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  • Installation view of "Tsuyoshi Hisakado: Resume", 2021, Ota Fine Arts Singapore

     

     

    Ota Fine Arts Singapore is delighted to present "Resume", a solo exhibition by Japanese artist Tsuyoshi Hisakado. Well-recognized for his immersive installation works, Hisakado has been actively participating in exhibitions globally in recent years, including "May You Live In Interesting Times", 58th International Art Exhibition, Venice, Italy in 2019 (in collaboration with Apichatpong Weerasethakul). Subsequently in 2020, he presented a body of works which reflected his thoughts and ideas developed during the Covid19 pandemic, in a group exhibition at Hara Museum in Tokyo, Japan. The same installation works are showcased this time in Singapore with a fresh configuration, accompanied by his recent series of works on paper. 

     

  • Tsuyoshi Hisakado, Resume, 2020, Lauan plywood panel and parts, acrylic paint, natural light, sounds from the surroundings, Dimensions variable (detail)
  • The main feature of this exhibition is the installation work Resume (2020), which consists of fifty wooden panels, each painted in fluorescent pinks, yellows or oranges on one side. Some of the panels lean against the walls and some lay on the floor of the gallery space, with their painted sides facing inwards. The natural light streaming through the large window of the gallery space bounces off the panels, creating a subtle glow of colours on the white walls and floor. One will also hear the sound of a 6,000 hertz sine wave being emitted from speakers – its consistent, artificial quality is in contrast to and brings out the other comparatively random sounds that can be heard from the surroundings. The artist conceptualized this work as a reaction to the changes in his daily life brought about by the pandemic, such as lockdowns and the postponement of events. Nevertheless, he managed to find positivity in these situations, taking notice of his surroundings with more sensitivity. The panels that face inwards or downwards are a metaphor for things that were put on hold, while the faint glow of colours suggest the ideas and ambitions that are brewing inside the artist’s mind.

  • Tsuyoshi Hisakado, Infrastructure #1, 2020, Gypsum board, glass-fiber mesh tape, putty, screws, wood bond, lauan plywood, mirrors, Dimensions variable
    Tsuyoshi Hisakado, Infrastructure #1, 2020, Gypsum board, glass-fiber mesh tape, putty, screws, wood bond, lauan plywood, mirrors, Dimensions variable
  • Hisakado’s other piece Infrastructure #1 (2020) responds to the current status of society. Visually, the work resembles a slab of wall prior to being painted – displaying a layer of putty. A circular section of its surface appears to be cut out and placed on the floor nearby, revealing the inner structure made of plywood, behind which lay several panels of mirrors. By intentionally making its inner construction visible, Hisakado draws a parallel to the many layers of societal structure, inviting viewers to ponder on the social phenomena that lie in the background of everyday life. The mirror is a recurring material in many of Hisakado’s works, and in this piece, it is positioned with differing, subtle tilts, creating varied reflections of the surroundings – alluding to the difficulty of approaching reality and encouraging the viewer to take a closer look.

     

  • Expanding on his explorations in a 2-dimensional form, is the crossfades series (2018 - present, ongoing) of works on paper. Underneath a layer of blotches, splashes, or strokes of ink, Hisakado has silkscreened a spiral of minute numbers derived from the mathematical constant pi (π), visible only upon close observation. To Hisakado, the never-ending numbers of pi alludes to concepts of infinity. Between the paper, ink and numbers, the continuity of pi is distorted, invoking subtle shifts in the eternity of space and time and revealing poetic sensibilities through simple visual compositions.

     

    Ota Fine Arts Singapore invites you to experience Tsuyoshi Hisakado’s latest works which are an extension and development of his practice to date.

     

     

  • Featured Artworks

    • Tsuyoshi Hisakado Resume, 2020 Lauan plywood panel and parts, acrylic paint, natural light, sounds from the surroundings Dimensions variable
      Tsuyoshi Hisakado
      Resume, 2020
      Lauan plywood panel and parts, acrylic paint, natural light, sounds from the surroundings
      Dimensions variable
    • Tsuyoshi Hisakado Infrastructure #1, 2020 Gypsum board, glass-fiber mesh tape, putty, screws, wood bond, lauan plywood, mirrors 140 x 207 x 12 cm
      Tsuyoshi Hisakado
      Infrastructure #1, 2020
      Gypsum board, glass-fiber mesh tape, putty, screws, wood bond, lauan plywood, mirrors
      140 x 207 x 12 cm
    • Tsuyoshi Hisakado crossfades / 16 SEP 2020, 2020 Paper, brass, lens, clock movement 62.5 x 82 cm
      Tsuyoshi Hisakado
      crossfades / 16 SEP 2020, 2020
      Paper, brass, lens, clock movement
      62.5 x 82 cm
    • Tsuyoshi Hisakado crossfades #4 / collapse ix, 2020 Silkscreen, ink on paper 76.5 x 56 cm
  • About the artist

    Tsuyoshi Hisakado (b. 1981, Kyoto, Japan) completed his M.F.A. at the Department of Sculpture of the Kyoto City University of Arts in 2007. He was awarded the ‘Mercedes-Benz Art Scope 2018-2020’, the Audience Award at the 'NISSAN ART AWARD 2015', and the Grand Prize of the 'VOCA 2016 The Vision of Contemporary Art'. Solo exhibitions include “Practice of Spiral”, Toyota Municipal Museum of Art, Japan (2020), “Fuzz”, Ota Fine Arts, Shanghai, China (2019), “Tunnel”, Ota Fine Arts, Tokyo, Japan (2018), “MoCA Pavilion Special Project Tsuyoshi Hisakado”, Museum of Contemporary Art, Shanghai, China (2016). Group exhibitions include “Mercedes-Benz Art Scope 2018-2020”, Hara Museum of Contemporary Art, Tokyo, Japan (2020), “May You Live In Interesting Times”, 58th International Art Exhibition, Venice, Italy (2019), “MAM Project 025: Tsuyoshi Hisakado + Apichatpong Weerasethakul”, Mori Art Museum, Tokyo (2018), “Asia Corridor Contemporary Art Exhibition”, Nijo Castle, Kyoto Art Center, Japan (2017), “AICHI TRIENNALE 2016 rainbow caravan”, Kaihatsu building, Toyohashi, Japan (2016). His works are in the collections of Mori Art Museum (Japan) and Nissan Art Collection (Japan).

     

    For more information on the artist, please click here