樫木知子

Ota Fine Arts Singapore is delighted to present “Body”, a group exhibition by Tomoko Kashiki, Zai Kuning and Tang Dixin. This exhibition looks at the ways in which these three...

Ota Fine Arts Singapore is delighted to present 'Traces', a group exhibition featuring three artists: Tomoko Kashiki, Genevieve Leong, and Guo-Liang Tan. The works presented here suggest the presence of...

Ota Fine Arts is delighted to present a group exhibition 'islands', focusing on small works on paper. The title of the exhibition suggests the Asian archipelago which is close in...

Ota Fine Arts Singapore is delighted to present 'Some of the Many Things That I Want to Remember', a solo exhibition by Japanese artist, Tomoko Kashiki. This exhibition marks Kashiki's...

新型冠状病毒感染肺炎的疫情防控期间，上海大田秀则画廊将以私人观览室的形式展出陈维、半田真规、久门刚史、樫木知子、草间弥生、泽拓和竹川宣彰的作品。 索取作品图录或预约观展，请发送邮件至 sh@otafinearts.com 预约观展时间: 周二至周日 12时至6时 预约邮件请注明：观展日期、时间、姓名、联系方式、人数

Ota Fine Arts is delighted to present Post Art Fair, a group exhibition featuring a robust selection of works by our represented artists. In response to the cancellation of Art...

大田秀则画廊荣幸地呈现日本艺术家樫木知子（1982年生于京都）的个展'明日讲述的故事'。本次展览标志着樫木在中国的首次个展，将展出其最新创作的8幅绘画作品和部分手稿。 樫木知子的绘画在现实与想象之间跳动，直面日常生活之腐朽而美丽的错乱本质。樫木从她的日常经历中邂逅景象，将不同风景和人物融合后所成之象来构成她的作品。这些意象的积聚培养出了樫木所说的'困扰感'，给予她强烈的绘画动力并用她独特的当代语言来讲述明日的故事。 樫木创作时先用铅笔起稿，后用丙烯颜料在裱于大型木板上的亚麻布表面作画，她的绘画默默地流露出细腻的材料肌理、图案、平面和流畅的动态。平坦且用砂纸打磨过的表面，使她可以流畅地进行涂画，好似在用铅笔画素描一般。她的绘画风格是对于日本平安时代的佛教绘画和美人画的追忆。来自于当代美人画的影响意味着大部分她画作中的人物有着无暇光滑且白皙的肌肤、漂亮的四肢和翩翩举止这些特征。 画中的人物通常为单数，且樫木倾向于不去定义她画中人物的性别。他们可能被发现浮于水中、俯卧于地、受困于房中、被梦幻般的环境所围绕等。在'海之梦'中，画中人睡卧于一块绿地毯上，置身于周遭墙面描绘海洋图像的房间中。一个盛沙的水缸被叠置于近景处，好似这个人漂浮于水上，犹如水母一般。在'金鱼和我的恋爱'中则探讨了恋兽癖，樫木在画中捕获了与金鱼相爱之人的情感表露及态度。画中人看似被困于教室中，流露出希望被金鱼关注，或是浸于一层鱼饵下被吞没的渴望。 在'他最喜欢的绿裙子'中，她想要描绘三个主题：花园一角、灌木丛和站着的人。画中人身着一件高度露出的裙子，并以可能是排尿的姿势站着，然而樫木所见却相反，这个身影自豪地站在那里，相信他最喜欢的绿裙子穿在身上很好看。另外在'我想吃腿'中，樫木着迷于那些想要吃腿的人的想法，以及伴随这种欲望而来的相应态度和感受。 在樫木早期的作品，如'祈求好运'和'金鱼君'中，画中人多为碎片化的形象，无头或头部被花瓶所替代。这些意象可以说是陌生和令人不安的，但樫木的本意并非描绘不适的画面，不如说她关注美和潜在于想象中的细节，描绘时关注于人物的手指、四肢、甲彩、姿势、面部特征和表情。'跟我来'细腻地展现了画中人试图赠与花束来劝诱另一人犯错时的面部表情，亦或是一人试图鼓励另一不活跃的人时站起和走出去的表情。'被悬挂的人'始于樫木想要描绘一个倒挂之人与其被束缚的四肢。画中受虐者尽管被以不适的方式倒挂着，但揭示了令其入迷的陷阱。 通过结合樫木作品中的现实和想象的元素，她所创造的绘画是个人化、如梦似幻的，但具有讽刺意味。她那非常规的作品组成和不寻常的叙述，体现了她揭示美且同时震撼人心的绘画能力。上海大田秀则画廊欢迎观者体验樫木知子所叙，明日的故事。

Ota Fine Arts Singapore is delighted to present 'Distance', a group exhibition by 4 artists from Asia: Geraldine Kang (Singapore), Tomoko Kashiki (Japan), Tang Dixin (China) and Bo Wang (China/USA)....

Ota Fine Arts Singapore is delighted to present 'Landscapes', a group exhibition featuring 4 artists from East Asia: Chen Wei (China), Chris Huen (Hong Kong), Tomoko Kashiki (Japan) and Hiraki...

Ota Fine Arts is pleased to announce Tomoko Kashiki's solo exhibition of recent works from Sat. 24 September to Sat. 19 November, 2016, linking to her solo exhibition, 'Aperto 05,...

Ota Fine Arts is pleased to announce 'primal lines', an exhibition of drawings by various artists, including new works and works which will be presented in Japan for the first...

To inaugurate our new space at Gillman Barracks, Ota Fine Arts presents a solo exhibition by Tomoko Kashiki, the artist's debut in Singapore. Reminiscent of Heian Buddhist paintings and bijinga,...

This summer, Ota Fine Arts is delighted to present a group exhibition featuring four contemporary artists from Asia all working in various strands of figurative representation, by means of painting,...

Ota Fine Arts is pleased to announce the second solo exhibition of Tomoko Kashiki, starting from 26th November. Kashiki completed Ph.D. in Graduate School of Art (painting) at Kyoto City...